Wednesday, November 23, 2005

the future of 850 million dollars


Okay, so it was on the Daily Show. It was still interesting!
Amidst some jokes about the federal budget and some ideas about certain budget cuts, they mentioned something that kinda moved me.
We spend 850 million dollars on Federal Meat Inspection each year.
That's a lot of $!!!

Just thought I'd throw that fact out there. Notice with me that it probably wouldn't be a bad idea if we continually evaluated what we were producing together and eating together - what occupies our time, energy, & money? Is it worth it?

happy thanksgiving
-s.o

Friday, November 11, 2005

keep watch, take heart



a few years ago, I came across some Taize chants that I heard a group do as part of some informal worship.
I really locked on to some of the songs - beautifully written, beautifully/simply composed, and meaningfully sung over and over in a uniquely focused way. part of their greatness is that the mind really seems able to recall this sort of thing more easily. that has been a nice occurrence every now and then!

one that I remembered today was a basic chant, slow rhythm, in Eminor:

"wait for the Lord whose day is near,
wait for the Lord, keep watch, take heart."


just thought i'd share.

-s.o

Saturday, November 05, 2005

through painted deserts

I recently finished Donald Miller's
Through Painted Deserts : light, God, and beauty on the open road.
It is the revised edition of his first published book : Prayer and the Art of Volkswagen maintenance, and it reads both ways. He is simplistic, telling great stories (like you'd imagine a good writer's first book to be, maybe). But he also strikes off in Miller-style God-ramblings. They are great ramblings including places and people they meet along the way.
And, in terms of Blue Like Jazz or Searching for God Know What, this book has even more personal/living character to it because of the narrative it is following. Don and his friend Paul are leaving Houston, Texas for Oregon. Paul is from Oregon - Don has never been. At one point they are discussing loving nature and living in Texas - Paul says:

"I don't mean any disrespect. I truly don't. But Texas isn't nature. Texas is city and smog and humidity and heat. If you want to hunt and fish, that's fine, but if you want to climb and kayak and all, no luck."

This is their journey, and it is a perfect context for Miller to weave questions and inspirations about life. AND - I read in a Q & A with Don that he had hoped to include the words "in America" to the title - "light, God, and beauty on the open road in America." That is fitting; this book relates to our specific American society right now, from the land's terrian to the culture's values. These are the painted deserts this book moves through.
Of course, this connection with the land is a huge draw for me. I'm not ashamed of that - and I don't think it's something like, "well, Shaun likes Thoreau and Wendell Berry ... you know, that connection to nature stuff." No. That's not why I like this book. I think there is a theme in great writers and thinkers of the act of land, nature, and wildness feeding our imagination. I don't think it's some "style" of writing that I just happen to enjoy and some writers just happen to employ.
Here's quote I love from Through Painted Deserts "the Woods" chapter. Don finds himself in the woods, staring at the stars at night:

... nature has never inspired me until now. God is an artist, I think to myself. I have known this for a long time, seeing His brushwork in the sunrise and sunset, and His sculpting in the mountains and the rivers. But the night sky is His greatest work. And I would have never known it if I had stayed in Houston. I would have bought a little condo and filled it with Ikea trinkets and dated some girl just because she was hot and would have read self-help books, end to end, one after another, trying to fix the gaping hole in the bottom of my soul, the hole that, right now, seems plugged with Orion, allowing my soul to collect that feeling of belonging and love you only get when you stop long enough to engage the obvious.

These declarations line the book, couched within the story of two guys beginning a friendship & asking real life questions on the roads of America in a volkswagen van. The first chapter is titled Leaving. The last chapter is titled Sunrise. They are most appropriate to the story; and it is good from beginning to end.

highly recommended,

-s.o

Friday, November 04, 2005

mandolin moves


Thile
Originally uploaded by thoseawake.

Chris Thile of Nickel Creek is a real performer! The show at Gypsy Tea Room was a great night last night. This guy soloed like NO ONE'S business. And, as you can see, he played in a sort of trance - they all were able to move out, come close to the crowd and engage us! Great!
Sean Watkins seemed more aloof. Sister Sara was funny, smiling while she played, and sang beautifully - especially on "Anthony."

See Bloguss (on the right) for more thoughts and a group pic.

this band makes any musician want to go home, get better, and make great music. here's to trying!

-s.o